(Source: magicalnaturetour)
don’t talk to strangers online because you will become best friends with them, and the distance will ruin your life
don’t move far away to college, because you’ll make awesome friends and then move, and the distance will make you miserable.
(Source: fabwan)
Yeah, it costs more than twice the country’s 2011 median income, but two little words make it worth every penny: Street. Legal. If you can convince the bank, or your mom, to spot you the cash, a living, breathing replica of the computer-animated cycle from the 2010 film TRON: Legacy will earn you the awe and admiration of every pulse-possessing male aged 8 to 44. Plus after-hours access to pretty much every drive-thru espresso stand barista you ever meet. Good thing the Light Cycle requires riders to lie almost horizontal astride its black leather seat, because horizontal is a position any owner of this ticket to eternal ass is going to have to get used to.
The Light Cycle’s aesthetic splendor begins with a steel frame, which is covered by a fiberglass cowling to replicate the sleek look of its computer-generated counterpart. Electroluminescent strips embedded in the wheels and body puppeteer laser-esque displays of awesomeness during casual cruises and gamer’s convention tailgates. A fuel-injected Suzuki 996cc, 4-stroke engine, and 6-speed constant mesh manual transmission will make the bike go, but only your dedication and stalker-training skills will get it to Olivia Wilde’s front door.
Welp
do want
this is nice.
yep.
You know what’s nice?
Not editing someones artwork without their permission.
You know what’s also nice?
Crediting people.
Oh look, the fanart version of stealing someone’s fic, find&replacing the names, and then reposting it like that. Gross.
Bluuuuuh, people suuuuuck.
2012: the year of the archers ⇢
The Legolas gif SLAYED me. Guuuurl…
These are gifs of a baby duck chasing a dog.
:)
Mural made out of 450,000 staples. Part of artist Baptiste Debombourg’s Aggravure series. Inspired be the classic story of Icarus and drawings from 16th century engravers.
The recurring theme in these paintings revolves around the collapse that resonates with staples. Here the staple is a material and a media that plays with contemporary aggression and daily life’s secular usefulness - BD
